Compositions
- 1949 Sextet for winds (9')
- 1950 Prelude for orchestra (12')
- 1950 Variations for flute and piano (6')
- 1951 String Quartet #1 (19')
- 1951 The Magic Stones, chamber opera based on a tale from the Decameron. (55')
- 1952 Piece for orchestra (14')
- 1952 Sonata for violin and piano (14')
- 1952-1955 Mass A CAPPELLA for mixed double chorus (37')
- 1954 Contrasto for orchestra (9')
- 1957 Chansons Innocentes for soprano and piano (8')
- 1958 0,0,0,0, That Shakespeherian Rag for mixed chorus and instrumental ensemble, text by Shakespeare, commissioned by the League of Composers/International Society for Contemporary Music (24')
- 1962 Cocktail Music for piano (7')
- 1963 Octet for flute, bass clarinet, conta-alto clarinet, marimba, celesta, violin, cello, contra-bass, commissioned by the Koussevitsky Music Foundation in thge Library of Congress. (8')
- 1963 Three Electronic Dances for tape recorder (4')
- 1964-1965 Underworld for 4 actors, 4 percussion, 2 string basses, tenor sax and 2 channel tape, commissioned by the Fromm Foundation. (19')
- 1964 Sound Rotation System (hardware - real-time performance instrument scored in UNDERWORLD)
- 1965 Buffet for tape recorder (13')
- 1966 Ballad for amplified nite-club singer and instrumental ensemble (14')
- 1967 The Malmstadt-Enke Blues real-time performance system using the Heathkit Analog/Digital Designer and custom hardware - variable form (15-20')
- 1967-1968 L's. G. A. for gassed-masked politico, helium bomb, 3 16mm movieprojectors, and 2 channel tape recorder - (Films: Ronald Nameth) (24')
- 1968 The Proposal for 2 channel tape recorder and slide projector (Slides: Ronald Nameth) (8')
- 1968 Action Analysis for 12 musicians, Bunny, and Controller (12')
- 1968 Marvil Construction real-time performance system
- 1969 Selections for alto flute, double bass, clarinet, viola and cello - commissioned by the Aeolin Chamber Players (work in progress)
- 1969-1972 The SAL-MAR CONSTRUCTION (real-time performance instrument)
- 1971-1975 SAL-MAR CONSTRUCTION 4 channel tape recordings I-VII (3 hours)
- 1974 Shoptalk for tape recorder (13')
- 1977 Fast Forward for tape recorder (14')
- 1978 Fifty One for tape recorder (12')
- 1978 In Memoriam Luigi Dallapiccola for tape recorder (40')
- 1979 She Spoke for tape recorder and storyteller - based on Titus Andronicus by Shakespeare - commissioned by W???, Columbia, MO.
- 1979 Stuck On Stella for solo piano ()
- 1980 Fantasy for violin and tape recorder (7')
- 1984 Thrown for winds and percussion (18')
- 1985 SAMPLER: Everything Goes When The Whistle Blows for violin and the yahaSALmaMAC MIDI orchestra (12')
- 1987 THREE NOT TWO the yahaSALmaMAC using the Sound and Logic program(SAL) Salvatore Martirano, DX7 Keyboard (20')
- 1988 FOUR NOT TWO The yahaSALmaMAC using the Sound and Logic program(SAL) Dorothy Martirano, Zeta Violin Salvatore Martirano, DX7 Keyboard (20')
- 1988 PHLEU for amplified flute and synthetic orchestra (12')
- 1989 LON/dons for chamber orchestra (18')
- 1990 undisNONcon for yahaSalmaMac and Poet (25')
- 1991 UIUS & Jest Fa'laffs for flute, clarinet, double bass and synthetic orchestra (14')
- 1992 Improvs for Violin and Tape The will never be another you, Cherokee, I remember April, Blues
Video (both sound and visuals)
- 1982 Underworld (26')
- 1983 Omagio a Sally Rand (40')
- 1984 Look at the back of my head for awhile (12')
- 1985 L's.G.A. (update) (25')
- 1986 DANCE/PLAYER I (8')
- 1986 DANCE/PLAYER II (14')