PUBLICATIONS ON COMPUTER MUSIC


  1. Composing with Sieves: Structure and Indeterminacy In-time (.pdf)
    Sever Tipei.
    Proc. 2013 Int'l Computer Music Conference (Perth, Australia, August 2013)
    International Computer Music Association, San Francisco, CA, 2013.

  2. Continuity and Narrative in Musical Composition: Are They Necessary ? (.doc)
    Sever Tipei.
    SEAMUS 2011 National Conference, University of Miami, January 2011

  3. Conceiving Music Today: Manifold Compositions, DISSCO, and Beyond (.pdf)
    Sever Tipei.
    Recent Advances in Acoustics & Music, Proc. 11th WSEAS International i Conference on Acoustics & Music: Theory & Applications (AMTA '10), "G. Enescu" University, Iasi, Romania, June 2010.
    WSEAS Mechanical Engineering Series, published by WSEAS Press

  4. Automatic Notation of Computer-generated Scores for Instruments, Voices and Electro-acoustic Sounds (.pdf)
    Andrew A. Burnson, Hans G. Kaper, and Sever Tipei.
    Proc. 2010 Int'l Computer Music Conference (New York/Stony Brook, NY, June 2010)
    International Computer Music Association, San Francisco, CA, 2010.

  5. SoundMaker: a Web-based Teaching Tool for Sound Design (.doc)
    Rayan Cavis, Volodymyr Kindratenko, and Sever Tipei.
    Proc. 2009 Int'l Computer Music Conference (Montreal, Canada, August 2009)
    International Computer Music Association, San Francisco, CA, 2009. | Conference Poster

  6. Manifold Compositions: Formal Control, Intuition, and the Case for Comprehensive Software (.pdf)
    Sever Tipei.
    Proc. 2007 Int'l Computer Music Conference (Copenhagen, Denmark, August 2007)
    International Computer Music Association, San Francisco, CA, 2007.

  7. DISSCO: A Unified Approach to Sound Synthesis and Composition. (.pdf)
    Hans G. Kaper and Sever Tipei.
    This version was submitted to the 2005 ICMC; a shorter (4 pages) version in
    Proc. 2005 Int'l Computer Music Conference (Barcelona, Spain, September 2005).
    International Computer Music Association, San Francisco, CA, 2005.

  8. Loudness Scaling in a Digital Synthesis Library(.pdf)
    Jesse Guessford, Hans G. Kaper and Sever Tipei.
    Proc. 2004 Int'l Computer Music Conference (Miami, Florida, November 2004).
    International Computer Music Association, San Francisco, CA, 2004, pp. 398-401.

  9. Implementation of loudness in a digital instrument(.pdf)
    Hans G. Kaper and Sever Tipei. Invited talk, Acoustical Society of America, Chicago, May 2001.

  10. DISCO: an Object-oriented System for Music Composition and Sound Design (.pdf)
    Hans G. Kaper, Sever Tipei, and Jeff M. Wright
    Proc. 2000 Int'l Computer Music Conference (Berlin, Germany; August 2000),
    International Computer Music Association, San Francisco, CA, 2000, pp. 340-343.

  11. Formalizing the Concept of Sound(.pdf)
    Hans G. Kaper and Sever Tipei
    Proc. 1999 Int'l Computer Music Conference (Beijing, China; October 1999),
    International Computer Music Association, San Francisco, CA, 1999, pp. 387-390.

  12. An Abstract Approach to Music(.pdf)
    Hans G. Kaper and Sever Tipei
    Argonne preprint ANL/MCS-P748-0399

  13. Manifold Compositions, Music Visualization, and Scientific Sonification in an Immersive Virtual-Reality Environment. (.pdf)
    Hans G. Kaper and Sever Tipei
    Proc. 1998 Int'l Computer Music Conference (Ann Arbor, Michigan; October 1998),
    International Computer Music Association, San Francisco, CA, 1998, pp. 399-405.

  14. High-Performance Computing, Music Composition, and the Sonification of Scientific Data.
    Click here to download.
    Hans Kaper, Sever Tipei, and Elizabeth Wiebel.
    Argonne preprint ANL/MCS-P690-0997.

  15. Perceived Equal Loudness of Complex Tones: a Software Implementation for Computer Music Composition.
    Hans Kaper, David Ralley, and Sever Tipei
    Proc. 1996 Int'l Conf. in Music Perception and Cognition (Montreal, Canada; August 1996), pp.127-132.

  16. For an Intelligent Use of Computers in Music Composition.
    Sever Tipei
    Proc. 1995 Int'l Computer Music Conference (Banff, Canada; September 1995),
    International Computer Music Association, San Francisco, CA, 1995, pp. 9-12.

  17. Additive Synthesis with DIASS_M4C on Argonne National Laboratory IBM POWERparallel (SP)
    Hans Kaper, David Ralley, Juan Restrepo, and Sever Tipei
    Proc. 1995 Int'l Computer Music Conference (Banff, Canada; September 1995),International Computer Music Association, San Francisco, CA, 1995, pp. 351-352.

  18. MP1 Revisited: AGA MATTER for Piano and Computer Generated Tape
    Sever Tipei
    Proc. 1994 Int'l Computer Music Conference (Aarhus, Denmark; September 1994), Int'l Computer Music Association, San Francisco, CA, 1994, pp. 3-6.

  19. The Computer Music Project of the University of Illinois Experimental music Studios .
    James W. Beauchamp and Sever Tipei
    Proc. 1994 Int'l Computer Music Conference (Aarhus, Denmark; September 1994), Int'l Computer Music Association, San Francisco, CA, 1994, pp. 501 - 502.

  20. A Compositional Approach to Additive Synthesis on Supercomputers
    Christopher Kriese and Sever Tipei
    Proc. 1992 Int'l Computer Music Conference, (Univ. of California,San Jose, California; October 1992),
    International Computer Music Association, San Francisco, CA, 1994, pp. 394-395.

  21. Advanced Computer Technology in Composition and Music Notation: Manifold Compositions
    Sever Tipei
    paper at the DANA New Music Festival, (Youngstown Univ., Youngstown Ohio, April 1990).

  22. Computer Music Courses Using Supercomputers
    Robin Bargar, Ben Cox, David Kelley, and Sever Tipei.
    Proc. 1990 Int'l Computer Music Conference , (Glasgow, Scotland; September 1990), International Computer Music Association, San Francisco, CA, 1990, pp. 39-42.

  23. A Supercomputer Environment for Music Composition
    Sever Tipei
    paper at the Third Biennial Conference Teaching Humanists Computers, (Fordham University, June 1990).

  24. The Computer, a Composer's Collaborator
    Sever Tipei
    LEONARDO Journal of the International Society for the Arts, Sciences, and Technology, vol.22, no. 2, 1989, pp. 189-195.

  25. (Super)Computer Produced Musical Manifolds, Contemporary Music Forum
    Proc. Bowling Green State University New Music and Art Festival 10 Paper Sessions, Vol.1, (Mid-American Center for Contemporary Music, College of Musical Arts, Bowling Green State Univ., Bowling Green, Ohio; 1989), pp. 23-26.

  26. Manifold Compositions - a (Super)computer-assisted Composition Experiment in Progress (.pdf)
    Sever Tipei
    Proc. 1989 Int'l Computer Music Conference , (Ohio State Univ., Columbus, Ohio; November 1989), International Computer Music Association, San Francisco, CA, 1989, pp. 324-327.

  27. Composing with Computers
    Sever Tipei
    paper at the Computers in Music Research conference, (University of Lancaster, England; April 1988).

  28. A Non-traditional Approach to Composition: CUNICULI
    Sever Tipei
    paper at the 8th Int'l Conference on Computers in the Humanities, (Univ. of South Carolina, Columbia, S.C.; 1987).

  29. Maiden Voyages - a Score Produced with MP1 (.pdf)
    Sever Tipei
    Computer Music Journal, vol. 11, no. 2, M.I.T. Press Journals, Cambridge, MA., 1987.

  30. MAIDEN VOYAGES - a Score Produced with MP1,
    Sever Tipei
    Proc. 1985 Int'l Computer Music Conference, (Vancouver, B.C., Canada; August, 1985),
    International Computer Music Association, San Francisco, CA, 1989, pp. 259-265.

  31. Solving Specific Compositional Problems with MP1 (.pdf)
    Sever Tipei
    Proc. 1981 International Computer Music Conference, (North Texas State Univ., Denton, Texas; November 1981), International Computer Music Association, San Francisco, CA, 1989, pp. 101-109.

  32. MP1, a Computer Program for Music Composition (.pdf)
    Sever Tipei
    Proc. Second Annual Music Computation Conference, (Univ. of Illinois, Urbana, Illinois, November 1975), pp. 68-82.

  33. Proposals for a Music Formalization
    Sever Tipei
    unpublished, 1972.

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