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DISSCO: A Unified Approach to Sound Synthesis and
Composition. Hans G. Kaper and Sever Tipei. This version was submitted to the 2005 ICMC; a shorter (4 pages) version to appear in Proc. 2005 Int'l Computer Music Conference (Barcelona, Spain, September 2005). International Computer Music Association, San Francisco, CA, 2005. (not available yet) Harmonic source separation using prestored spectra Mert Bay and James W. Beauchamp Proc. 6th Int. Conf. on Independent Component Analysis and Blind Source Separation (ICA06), Springer-Verlag Berlin Heidelberg, pp. 561-568. Loudness Scaling in a Digital Synthesis Library Jesse Guessford, Hans G. Kaper and Sever Tipei. Proc. 2004 Int'l Computer Music Conference (Miami, Florida, November 2004). International Computer Music Association, San Francisco, CA, 2004, pp. 398-401. Detection of Random Alterations in Time Varying Musical Instrument Spectra Andrew Horner, James W. Beauchamp, Richard So J. Acoust. Soc. Am., Vol. 116, No. 3, pp. 1800-1810. Implementation of loudness in a digital instrument Hans G. Kaper and Sever Tipei. Invited talk, Acoustical Society of America, Chicago, May 2001. DISCO: an Object-oriented System for Music Composition and Sound Design Hans G. Kaper, Sever Tipei, and Jeff M. Wright Proc. 2000 Int'l Computer Music Conference (Berlin, Germany; August 2000), International Computer Music Association, San Francisco, CA, 2000, pp. 340-343. Fundamental Frequency Estimation of Musical Signals Using a Two Way Mismatch Procedure Robert C. Maher, James W. Beauchamp J. Acoust. Soc. Am., Vol. 95, No.4, pp. 2254-2263. Formalizing the Concept of Sound Hans G. Kaper and Sever Tipei Proc. 1999 Int'l Computer Music Conference (Beijing, China; October 1999), International Computer Music Association, San Francisco, CA, 1999, pp. 387-390. Discrimination of Musical Instruments Sounds Resynthesized with Simplified Spectrotemporal Parameters Stephen McAdams, James W. Beauchamp, Suzanna Meneguzzi J. Acoust. Soc. Am., Vol. 105, No. 2, Pt. 1, pp. 882-897. Location: Blank Implementation of loudness in a digital instrument An Abstract Approach to Music Hans G. Kaper and Sever Tipei Argonne preprint ANL/MCS-P748-0399 A Genetic Algorithm-Based Method For Synthesis of Low Peak Amplitude Signals Andrew Horner, James W. Beauchamp J. Acoust. Soc. Am., Vol. 99, No. 1, pp. 433-443. Manifold Compositions, Music Visualization, and Scientific Sonification in an Immersive Virtual-Reality Environment. (PDF file) Hans G. Kaper and Sever Tipei Proc. 1998 Int'l Computer Music Conference (Ann Arbor, Michigan; October 1998), International Computer Music Association, San Francisco, CA, 1998, pp. 399-405. Synthesis of Trumpet Tones Using a Wave Table and a Dynamic Filter Andrew Horner, James W. Beauchamp J. Audio Eng. Soc, Vol. 43, No. 10, pp. 799-812. High-Performance Computing, Music Composition, and the Sonification of Scientific Data. Click here to download. Hans Kaper, Sever Tipei, and Elizabeth Wiebel. Argonne preprint ANL/MCS-P690-0997. |
| Sample Works |
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Discovery Class Collective Composition - Collaboration of all the students in the class. Produced with SoundMaker. Spring 2006.
Insook Choi, Study* (1989) ANL Folds - 1 - manifold composition for computer generated sounds, 1996 - 2002. Over 100 variants produced with DIASS on ANL parallel supercomputer ANL Folds - 2 - variant ANL Folds - 3 - variant ANL Folds - 4 - variant ANL Folds - 5 - variant Cuniculi - for five tubas, produced with MP1 (1986) Curses - for solo male voice and backup female group and computer generated sounds (1996) Daria - computer generated sounds, realized with DISSCO (2006) Decaf - computer generated sounds, realized with DISSCO (2006) Many Worlds - for five percussion players, realized with MP1 on CRAY X-MP supercomputer (1989) Portrait - for four female voices, realized with MP1 (1975) |