Composing with Sieves: Structure and Indeterminacy in Time
Proc. 2013 Int'l Computer Music Conference Perth, Australia, August 2013.
International Computer Music Association, San Francisco CA, 2013.
"Computation and simulation of frequency variations in musical instrument sounds"
J. Acoust. Soc. Am., Vol. 134, No. 5, Pt. 2, p. 4242 (2013).
Brass instrument power efficiency and the relationship between input impedance and transfer function
James Beauchamp, W. Kausel and S. Carral,
Proc. Meetings on Acoustics (165th Meeting of the Acoustical Society of America in conjunction with the International Congress on Acoustics, June, 2013, Montreal, Canada), Vol. 19, 035069, pp. 1-9 (2013).
"Trombone Transfer Functions: Comparison Between Frequency-Swept Sine Wave and Human Performer Input"
Archives of Acoustics, Vol. 37, No. 4, pp. 447-454 (2012).
"Discrimination of Musical Instrument Tones Resynthesized with Piecewise-Linear Approximated Harmonic Amplitude Envelopes"
James Beauchamp, C. Lee and A. Horner,
J. Audio Eng. Soc., Vol. 60, No. 11, pp. 899-912. (2012)
"Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music"
James Beauchamp, M. Bay, A. F. Ehmann, P. Smaragdis, and J. S. Downie,
Proc. 13th Int. Soc. Music Information Retrieval Conf. (ISMIR 2012), pp. 319-324.
Continuity and Narrative in Musical Composition: Are They Necessary ?
SEAMUS 2011 National Conference, University of Miami, January 2011
Automatic Notation of Computer-generated Scores for Instruments, Voices and Electro-acoustic Sounds
William A. Burnson, Hans G. Kaper, and Sever Tipei.
Proc. 2010 Int'l Computer Music Conference (New York/Stony Brook, NY, June 2010)
International Computer Music Association, San Francisco, CA, 2010.
"Importance of spectral detail in musical instrument timbre"
James Beauchamp, M. D. Hall, A. B. Horner, and J. M. Roche,
Proc. 11th Int. Conf. on Music Perception and Cognition (ICMPC11), pp. 69-74. (2010)
"In search of a source/filter model for brass instruments"
Proc. 2nd Vienna Talk, Univ. of Music & Performing Arts, Vienna, Austria, pp. 1-4. (2010)