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Selected Past Articles


NCSA RealTime #2: June 1991 video
Robin Bargar, Insook Choi, Carla Scaletti, and Sever Tipei

DISSCO: A Unified Approach to Sound Synthesis and Composition.
Hans G. Kaper and Sever Tipei.
This version was submitted to the 2005 ICMC; a shorter (4 pages) version to appear in
Proc. 2005 Int'l Computer Music Conference (Barcelona, Spain, September 2005).
International Computer Music Association, San Francisco, CA, 2005.

Harmonic source separation using prestored spectra
Mert Bay and James W. Beauchamp
Proc. 6th Int. Conf. on Independent Component Analysis and Blind Source Separation (ICA06),
Springer-Verlag Berlin Heidelberg, pp. 561-568.

Loudness Scaling in a Digital Synthesis Library
Jesse Guessford, Hans G. Kaper and Sever Tipei.
Proc. 2004 Int'l Computer Music Conference (Miami, Florida, November 2004).
International Computer Music Association, San Francisco, CA, 2004, pp. 398-401.

Detection of Random Alterations in Time Varying Musical Instrument Spectra
Andrew Horner, James W. Beauchamp, Richard So
J. Acoust. Soc. Am., Vol. 116, No. 3, pp. 1800-1810.

Implementation of loudness in a digital instrument
Hans G. Kaper and Sever Tipei. Invited talk, Acoustical Society of America, Chicago, May 2001.

DISCO: an Object-oriented System for Music Composition and Sound Design
Hans G. Kaper, Sever Tipei, and Jeff M. Wright
Proc. 2000 Int'l Computer Music Conference (Berlin, Germany; August 2000),
International Computer Music Association, San Francisco, CA, 2000, pp. 340-343.

Fundamental Frequency Estimation of Musical Signals Using a Two Way Mismatch Procedure
Robert C. Maher, James W. Beauchamp
J. Acoust. Soc. Am., Vol. 95, No.4, pp. 2254-2263.

Formalizing the Concept of Sound
Hans G. Kaper and Sever Tipei
Proc. 1999 Int'l Computer Music Conference (Beijing, China; October 1999),
International Computer Music Association, San Francisco, CA, 1999, pp. 387-390.

Discrimination of Musical Instruments Sounds Resynthesized with Simplified Spectrotemporal Parameters
Stephen McAdams, James W. Beauchamp, Suzanna Meneguzzi
J. Acoust. Soc. Am., Vol. 105, No. 2, Pt. 1, pp. 882-897. Location: Blank

Implementation of loudness in a digital instrument
Hans G. Kaper and Sever Tipei Invited talk, Acoustical Society of America, Chicago, May 2001.

An Abstract Approach to Music

Hans G. Kaper and Sever Tipei
Argonne preprint ANL/MCS-P748-0399

A Genetic Algorithm-Based Method For Synthesis of Low Peak Amplitude Signals
Andrew Horner, James W. Beauchamp
J. Acoust. Soc. Am., Vol. 99, No. 1, pp. 433-443.


Manifold Compositions, Music Visualization, and Scientific Sonification in an Immersive Virtual-Reality Environment.
Hans G. Kaper and Sever Tipei
Proc. 1998 Int'l Computer Music Conference (Ann Arbor, Michigan; October 1998),
International Computer Music Association, San Francisco, CA, 1998, pp. 399-405.

Synthesis of Trumpet Tones Using a Wave Table and a Dynamic Filter
Andrew Horner, James W. Beauchamp
J. Audio Eng. Soc, Vol. 43, No. 10, pp. 799-812.